The prestigious (4 Marcus Miller, Geddy Lee, Mayones, Sterling. Personally, I use it almost all the time running!įor amps, I use a preamp + headphone or my config stage: nothing to say, it sounds great everywhere!īass, I've had! around thirty. It's not dramatic but it is stressed! I think this bass is really great when the preamp turned on! In liabilities, it is a good jazz / musicman. Gripe: there is a level difference between assets and liabilities. The notes are well defined and can be heard in fine style! What I love (and that's what made me crack!) It is the deep bass you can get with this bass without losing treble. What surprised me is that you can really catch the sound of Marcus Miller! To have owned, I can say that it is stunning! With serious bottom, treble at 50% and split the bridge pickup in last place is really close! We are going well with the sharp snapping pushed to very deep bass ideal to keep the house (just in the spirit of Toto). It can growl like to run a very specific and deep groove.įor me it's perfect! In addition to two other low passive "vintage", it is the excellent complement to the low but the oldest in the mind.
CORT BASS GB74 STRING FULL
If I were to give a general idea, I'd say this bass is "incisive." It comes in but is very clean, straight and full of punch especially really appreciated. In short: this bass fits all styles, for against it admits a preference for funk, slap, in short, all styles that require high accuracy in the game notes, and play percussion. It is maple fingerboard with mother of pearl inlay and blinding around the key: the class!įor weight, I find quite acceptable. Speed: There are brands quickly on this set, and after a few minutes, one begins to stroll over with ease. The handle: initially it looks like a round of classic jazz bass (38 mm at nut!) And a C-shape standard! So if you have a standard jazz bass you should see you there! On my bass, the varnish is very nice and lightweight, making it the handle feels good in hand with a very natural touch wood, nice!įor access to acute: Substantially the same as a standard jazz bass. The former owner of the bass preamp has toasted the original, so he installed a Seymour Duncan preamp on mine! Yes! The disadvantage: in fact there is no protection between the battery and preamp! So if you reverse the terminals of the battery (9 V rectangular arch known), you toast the preamp! The advantage over other models: the battery is accessible through a hatch, it simplifies change battery in full concert, and especially avoid leaving the toolbox each time you loose the battery!). This bass is powered by a 9V battery (I have not had to change it, but it's soon as I!). Personal the more buttons it is more complex to solve (this is only my review). Of course, some people like there 35 buttons to be filled. The really positive point is that there is the key knobs for my taste. Although massive, with a beautiful dress and a super resonant notes.Įrgonomics are good, everything is easily accessible. The bridge is beautiful! it looks like something very high end. Then switch 2: one can boost the mids and the other switches the humbucker in 3 positions, namely the first "row" of blocks, or micro split in two, and finally the second row of block. Config found on a lot of Sandberg (JM4 memory).įor settings: a master volume (with push / pull), a micro scale, a double knob which increases the treble or bass (in particular active). The pickups: Jazz Music bass side handle and double-sided easel pad man. įor weight: 3.9 kgs on the scales! Therefore lighter than a conventional JB with 4.5 kgs (600 grams and less on the shoulders it feels after 4 h in concert!).
Swamp ash body, maple neck and it seems t.
Ģ2 frets / neck screwed by four large screws (just in the mind of at G & L) / color OPN (wholesale natural! Veining with visible wood!). For information and to calm those who think that nothing beats Squier / Fender, you just know that the current Squier are manufactured in factories Cort! Hihihi.
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